The book of Lamentations is one of the most interesting but least talked about books in the Old Testament. It’s a series of poems that encapsulates the fear, trauma, and despair of warfare, of seeing one’s home completely destroyed by invaders and being taken into exile. In the first two chapters of Lamentations, the poem is written as if a woman named Daughter Zion is speaking it. She’s a personification of the city of Jerusalem and its people. She poignantly describes how she is raped, her children are murdered, and her people are dragged away. She insists that God must notice her suffering and answer for it, challenging the conventional notion that people suffer because they have sinned.

I’d never read Lamentations before I went to seminary, even though I’m a lifelong church-goer. And I’d never heard the voice of Daughter Zion remembered, even though I’m a feminist. My dissertation asks, “Why not? Why aren’t we all talking about Daughter Zion, given the ways her protest against injustice and against facile theology speaks to the pain of today’s world?”

The obvious answer is, “PATRIARCHY!!!” But I want to give a more nuanced account than that. Daughter Zion’s voice has disappeared because the tradition of Lamentations interpretation has stopped giving her credit for it. From the erasure of Daughter Zion’s protest in inner-biblical allusions to Lamentations, to the attribution of Lamentations’ authorship to the prophet Jeremiah, to the slut-shaming of Daughter Zion in commentaries, millennia of interpreters have done their best, consciously or unconsciously, to make sure she’s forgotten. Her protest goes unheard. Lamentations, which is set up dialogically, has become a one-sided conversation. The condemnatory voice within it that blames victims, especially women, for their suffering is the only voice that gets heard.

Without the courageous voice of Daughter Zion insisting that women’s rape isn’t a function of their sinfulness, and that helpless children don’t deserve to die for powerful adults’ sins, Lamentations just becomes another painful tract that falsely claims, “Bad things don’t happen to good people.” Lamentations becomes the last place people want to look for hope and encouragement when they’re suffering.
I want to change that. I want to give Daughter Zion’s voice back to her. And by doing that, I want to give Lamentations back to the world.

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